“I made parallels with the sexual awakening and her fangs coming out. In Humanist Vampire Seeking Consenting Suicidal Person, Luis-Seize’s feature debut, Sasha’s thirst for blood is treated as a metaphor for sexual awakening, leading to a variety of intelligent, funny, and highly creative subversions of the coming-of-age genre. The award-winning short films Wild Skin and Shooting Star are clear examples of Louis-Seize’s knack for portraying captivating, sometimes odd, stories about unconventional young women characters exploring their identity, or going to some sort of awakening. “It’s a film about death, of course, but also about life and our need for human connection and friendship,” said director Ariane Louis-Seize in an interview with But Why Tho? “It’s also a tale about two outcast people, each in their own world.” After dealing with much pressure from her family to claim her first victim, Sasha stumbles upon a potential solution: Paul ( Félix-Antoine Bénard ), a lonely and introverted teenager with suicidal tendencies willing to give his life to feed Sasha. But what happens when a vampire refuses to kill? Ariane Louis-Seize’s Humanist Vampire Seeking Consenting Suicidal Person explores the answer to this question through a creative blend of coming-of-age, horror, and dark comedy.Ĭoming off two astonishing performances in Maria Chapdelaine and Falcon Lake, young Canadian actress Sara Montpetit hits yet another home run as Sasha, a highly sensitive teenage vampire who refuses to hurt humans to feed herself. The vampire is a fascinating vehicle to explore themes of loneliness, death, and even belonging, after all, we’re talking about a mysterious creature that has lived for many years feeding off the blood of other beings.
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